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Dan Bongino Net Worth 2021 Forbes

Published

6 hours ago

September 23, 2021

Zaflash

What is Paula Andrea Dan Bongino’s net worth in 2021 by Forbes? Here the most reliable blog for celebrities’ net worth presents you with everything you want to know about Dan Bongino, his full biography, Weight, Height, Career, Age, Personal life.

And answer all your questions like: how old is he? Is he still alive? Where is he in 2021? How old is he? How tall is he? Is he single, dating, married, or divorced? How much is Paula Andrea Dan Bongino’s net worth in 2021 according to Forbes? And more answers to all your unanswered questions with lots of interesting facts you will never want to miss about him in 2021 according to Forbes?

Who is Paula Andrea Dan Bongino
Daniel John Bongino popularly and professionally known as Dan Bongino is one of the famous American right-wing political commentators, radio show hosts, and authors. He also served as a New York City Police Department (NYPD) officer from 1995 to 1999, and as a Secret Service agent from 1999 to 2011.

Biography of Dan Bongino
Biography of Dan Bongino
The famous American political commentator was born on the 4th of December 1974 in Queens, New York, United States. He worked for New York City Police Department (NYPD) officer from 1995 to 1999, and as a Secret Service agent from 1999 to 2011. The famous American politician and former Secret Service Agent knew as Dan Bongino is of half Italian descent. He graduated from Archbishop Molloy High School.
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His personal life
The famous former Secret Service Agent popularly, and professionally called Paula Andrea Dan Bongino is married to Paula Andrea, née Martinez, who was born in Colombia. They have two daughters. In 2012, he and his wife operated three businesses from their home, selling martial arts apparel, designing websites, and consulting on security and risk management. They currently reside in Palm City, Florida.

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What is Dan Bongino Net Worth in 2021 by Forbes
According to our research wrgfl.co.uk, we found out that the popular American politician, television host, and former Secret Service Agent knew professionally as Dan Bongino is one of the richest American political commentators with an estimated net worth of $8 million as of the 2021 update.

How did Dan Bongino earn his net worth?
How did Dan Bongino earn his net worth?
The famous American political commentator, politician, author, radio talk show host, and former Secret Service Agent knew professionally as Dan Bongino was already successful before he started his career as a politician.

Daniel John Bongino has multiple sources of income, he also served as a New York City Police Department (NYPD) officer from 1995 to 1999, and as a Secret Service agent from 1999 to 2011. He is currently a politician and currently resides in Palm City, Florida with his wife Paula Andrea, née Martinez, and his two daughters. He is currently worth $8 million as of the 2021 update.

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Dan Bongino Age, Height, and Weight
Paula Andrea, née Martinez’s husband professionally called Dan Bongino was born on the 4th of December 1974, he is 6’1″ (1.85m) tall, and weighs about 90 kg as of the 2021 update.

Watch his recent interview

Facts about him
He was born on the 4th December 1974, in Queens, New York, United States.
He served as a New York City Police Department (NYPD) officer from 1995 to 1999, and as a Secret Service agent from 1999 to 2011.
He has an estimated net worth of $8 million as of the 2021 update.
He currently resides in Palm City, Florida with his two daughters, and his wife Paula Andrea, née Martinez.
He went to the University of New York where he received his bachelor’s degree in psychology.
He released his first book in 2013 titled “Life Inside the Bubble”.

If you notice any mistake or update about [Dan Bongino Net Worth 2021 (Forbes)] please kindly comment below or get to us through our Contact Us page. Thanks for reading.

News

Biography of Zinoleesky and Net Worth 2021

Published

5 days ago

September 19, 2021

Zaflash

Biography of Zinoleesky and Net Worth 2021

Zinoleesky BiographyZinoleesky is a Nigerian singer and song-writer currently signed to Naira Marley’s record label, Marlian Music Imprint.
He signed him and some other Yoruba singers like Mohbad, Cblack and Fabian.
He brought the four artists on stage during the 2019 Marlians Fest, which took place at Eko Hotels & Suites, Lagos on 31st December.
We’d be seeing Zinoleesky’s biography, date of birth, age, early life, family, parents, siblings, girlfriend, education, songs, albums, net worth, houses, cars, social media handles and everything else you’d love to know about him.

Zinoleesky Profile

)

Before we continue, here’s a quick run down on Zinoleesky’s profile and a few things you’d love to know about him:
Full Name: Oniyide Azeez
Stage Name: Zinoleesky
Date of birth:
Age: 24
State of origin: Ogun State
Nationality: Nigerian
Occupation: Singer, songwriter, rapper
Net Worth: $25,000
Zinoleesky Biography, Date Of Birth, Early Life, Family And Education
Oniyide Azeez was born in Lagos State Nigeria and his passion for music was inspired by his environment. While growing up, he met a lot of people who played different roles in making him the person he is today.
He had his primary and secondary education in Lagos State, where he also became friends with Ibradosky and Lil Frosh that is currently sighed to the Davido owned DMW record label.
He had his primary education at Lively Kiddies Nursery and Primary School, Agege before proceeding to Boys secondary school at Agege, Lagos for his secondary education.

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Entertainment Career

Zinoleesky, in a bid to master his music craft normally engages in various kinds of music battles and freestyles. This was among the things that made the Marlian President to notice him.

He has been close friends with Ibradosky and Lil Frosh for many years, some online sources even stated that they attended the same secondary schools.

The three friends often challenged themselves with freestyles, not knowing that it would bring them to stardom. Their rise to fame began when Kizz Daniel notice one of their rap videos on Instagram, after it was posted by Zinoleesky and later followed him on the popular photo sharing app.
The small act further motivated them, and they had to put in more effort which later paid them off.

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Zinoleesky Personal Life

Not much is known about Zinoleesky’s relationship as he doesn’t post it online. He however loves his family very well and enjoys spending time with them.

Zinoleesky Songs

Zinoleesky has a number of songs to his credit including:
• Popo
• Money
• Vanessa
• Who Knows
• Fame
• Ole
• Apple
• Yolo
• Firi Yoyo
• Joromi
• Stay
• Shuga Dadi

Zinoleesky Net Worth

Zinoleesky is a fast-rising artist currently signed to the Marlian Music Imprint. He has a net worth of $25,000. Sources of his funds include music revenues, shows and deals.

He recently acquired his first car, a Lexus salon which was speculated to worth over ₦4.5 million. He shared the video online and it receive tons of congratulatory comments and messages.

Check :- Biography of Osinachi Kalu Okoro Egbu & Net Worth 2021

Social Media Handles

You can connect with Zinoleesky on:
Instagram @Zinoleesky
Twitter @ZinoleeskyZ

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Biography of Osinachi Kalu Okoro Egbu & Net Worth 2021

Published

7 days ago

September 17, 2021

Zaflash

Sinach hails from Ebonyi State, Eastern Nigeria, and is the second daughter of seven children.

Sinach started singing for family and friends in 1989 as a hobby, while working as a staff and choir member in Christ Embassy, Pastor Chris Oyakhilome’s Church. She studied physics and graduated from the University of Port Harcourt, Rivers State, Nigeria. She considered relocating from Nigeria after her University education, but was advised against it by Pastor Chris Oyakhilome.

Personal life

)

In 2014, Sinach married Joseph Egbu in her home Church Christ Embassy. On 17 November 2019, at the LIMA Awards Pastor Chris Oyakhilome, announced the arrival of Sinach’s first child.

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Musical career

As a child, Sinach stated she had dreams, where she saw herself singing to large crowds, but didn’t actively pursue anything musically as a career besides joining the choir, and also working as an administrative staff in the Church. Sinach had written many songs before she released her first album, Chapter One in 2008.[24] Her song ‘This Is Your Season’ won the Song of the Year award in 2008.

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Speaking on how she came by her stage name Sinach, she said: “I chose that from my name Osinachi because it is easy to pronounce and catchy”.

In 2016, Sinach was the first recipient of the LIMA Songwriter of the Decade Award, recognizing her contribution to gospel music in the previous decade. Her songs were being sung in many countries, [26] translated to many languages, around the world.[27] That same year, she received the African Achievers’ Award for Global Excellence.[28] Also that same year, for the second time in a row,[29] she won the Western Africa Artist of the Year by Groove Awards in Kenya, and was listed by YNaija alongside Chris Oyakhilome, Enoch Adeboye as one of the Top 100 Influential Christians in Nigeria.

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As a songwriter, Sinach has written over 200 songs and won several awards. Her song ‘This Is Your Season’ won the Song of the Year award in 2008. One of her most popular songs is ‘I Know Who I Am’.

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History of Music in Africa

Published

7 days ago

September 17, 2021

Zaflash

Many ethnographic studies demonstrate that music is a participatory, community-based activity.[74][75] Music is experienced by individuals in a range of social settings ranging from being alone to attending a large concert, forming a music community, which cannot be understood as a function of individual will or accident; it includes both commercial and non-commercial participants with a shared set of common values. Musical performances take different forms in different cultures and socioeconomic milieus. In Europe and North America, there is often a divide between what types of music are viewed as a “high culture” and “low culture.” “High culture” types of music typically include Western art music such as Baroque, Classical, Romantic, and modern-era symphonies, concertos, and solo works, and are typically heard in formal concerts in concert halls and churches, with the audience sitting quietly in seats.

History /Origin of Music

Other types of music—including, but not limited to, jazz, blues, soul, and country—are often performed in bars, nightclubs, and theatres, where the audience may be able to drink, dance, and express themselves by cheering. Until the later 20th century, the division between “high” and “low” musical forms was widely accepted as a valid distinction that separated out better quality, more advanced “art music” from the popular styles of music heard in bars and dance halls.

However, in the 1980s and 1990s, musicologists studying this perceived divide between “high” and “low” musical genres argued that this distinction is not based on the musical value or quality of the different types of music.[citation needed] Rather, they argued that this distinction was based largely on the socioeconomics standing or social class of the performers or audience of the different types of music.[citation needed] For example, whereas the audience for Classical symphony concerts typically have above-average incomes, the audience for a rap concert in an inner-city area may have below-average incomes.[citation needed] Even though the performers, audience, or venue where non-“art” music is performed may have a lower socioeconomic status, the music that is performed, such as blues, rap, punk, funk, or ska may be very complex and sophisticated.

When composers introduce styles of music that break with convention, there can be a strong resistance from academic music experts and popular culture. Late-period Beethoven string quartets, Stravinsky ballet scores, serialism, bebop-era jazz, hip hop, punk rock, and electronica have all been considered non-music by some critics when they were first introduced.[citation needed] Such themes are examined in the sociology of music. The sociological study of music, sometimes called sociomusicology, is often pursued in departments of sociology, media studies, or music, and is closely related to the field of ethnomusicology.

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By the mid-13th century BCE, the late Shang dynasty (1600–1046 BCE) had developed writing, which mostly exists as divinatory inscriptions on the ritualistic oracle bones but also as bronze inscriptions.[70][71] As many as 11 oracle script characters may refer to music to some extent, some of which could be iconographical representations of instruments themselves.[72] The stone bells qing appears to have been particularly popular with the Shang ruling class,[n 17] and while no surviving flutes have been dated to the Shang,[74] oracle script evidence suggests they used ocarinas (xun), transverse flute (xiao and dizi), douple pipes, the mouthorgan (sheng), and maybe the pan flute (paixiao).[75][n 18] Due to the advent of the bronze in 2000 BCE,[77] the Shang used the material for bells—the ling [zh] (鈴), nao [zh] (鐃) and zhong (鐘)[60]—that can be differentiated in two ways: those with or without a clapper and those struck on the inside or outside.[78] Drums, which are not found from before the Shang,[79] sometimes used bronze, though they were more often wooden (bangu).
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Women have played a major role in music throughout history, as composers, songwriters, instrumental performers, singers, conductors, music scholars, music educators, music critics/music journalists and other musical professions. As well, it describes music movements, events and genres related to women, women’s issues and feminism. In the 2010s, while women comprise a significant proportion of popular music and classical music singers, and a significant proportion of songwriters (many of them being singer-songwriters), there are few women record producers, rock critics and rock instrumentalists. Although there have been a huge number of women composers in classical music, from the Medieval period to the present day, women composers are significantly underrepresented in the commonly performed classical music repertoire, music history textbooks and music encyclopedias; for example, in the Concise Oxford History of Music, Clara Schumann is one of the only female composers who is mentioned.

Women comprise a significant proportion of instrumental soloists in classical music and the percentage of women in orchestras is increasing. A 2015 article on concerto soloists in major Canadian orchestras, however, indicated that 84% of the soloists with the Orchestre Symphonique de Montreal were men. In 2012, women still made up just 6% of the top-ranked Vienna Philharmonic orchestra. Women are less common as instrumental players in popular music genres such as rock and heavy metal, although there have been a number of notable female instrumentalists and all-female bands. Women are particularly underrepresented in extreme metal genres.[76] In the 1960s pop-music scene, “[l]ike most aspects of the…music business, [in the 1960s,] songwriting was a male-dominated field. Though there were plenty of female singers on the radio, women …were primarily seen as consumers:… Singing was sometimes an acceptable pastime for a girl, but playing an instrument, writing songs, or producing records simply wasn’t done.”[77] Young women “…were not socialized to see themselves as people who create [music].”[77]

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Women are also underrepresented in orchestral conducting, music criticism/music journalism, music producing, and sound engineering. While women were discouraged from composing in the 19th century, and there are few women musicologists, women became involved in music education “…to such a degree that women dominated [this field] during the later half of the 19th century and well into the 20th century.”[78]

According to Jessica Duchen, a music writer for London’s The Independent, women musicians in classical music are “…too often judged for their appearances, rather than their talent” and they face pressure “…to look sexy onstage and in photos.”[79] Duchen states that while “[t]here are women musicians who refuse to play on their looks,…the ones who do tend to be more materially successful.”[79] According to the UK’s Radio 3 editor, Edwina Wolstencroft, the music industry has long been open to having women in performance or entertainment roles, but women are much less likely to have positions of authority, such as being the conductor of an orchestra.[80] In popular music, while there are many women singers recording songs, there are very few women behind the audio console acting as music producers, the individuals who direct and manage the recording process.[81] One of the most recorded artists is Asha Bhosle, an Indian singer best known as a playback singer in Hindi cinema.
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Popular music Edit

Main article: Popular music

Popular music is music with wide appeal[126] that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.[127]

The original application of the term is to music of the 1880s Tin Pan Alley period in the United States.[127] Although popular music sometimes is known as “pop music”, the two terms are not interchangeable.[128] Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population,[129] whereas pop music usually refers to a specific musical genre within popular music.[130] Popular music songs and pieces typically have easily singable melodies. The song structure of popular music commonly involves repetition of sections, with the verse and chorus or refrain repeating throughout the song and the bridge providing a contrasting and transitional section within a piece.[131]

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In an essay on popular music’s history for Collier’s Encyclopedia (1984), Robert Christgau explained, “Some sort of popular music has existed for as long as there has been an urban middle class to consume it. What distinguishes it above all is the aesthetic level it is aimed at. The cultural elite has always endowed music with an exalted if not self-important religious or aesthetic status, while for the rural folk, it has been practical and unselfconscious, an accompaniment to fieldwork or to the festivals that provide periodic escape from toil. But since Rome and Alexandria, professional entertainers have diverted and edified city dwellers with songs, marches, and dances, whose pretensions fell somewhere in between.”
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Some musical styles focus on producing songs and pieces for a live performance, while others focus on producing a recording that mixes together sounds that were never played “live.” Even in essentially live styles such as rock, recording engineers often use the ability to edit, splice and mix to produce recordings that may be considered “better” than the actual live performance. For example, some singers record themselves singing a melody and then record multiple harmony parts using overdubbing, creating a sound that would be impossible to do live.

Technology has had an influence on music since prehistoric times, when cave people used simple tools to bore holes into bone flutes 41,000 years ago. Technology continued to influence music throughout the history of music, as it enabled new instruments and music notation reproduction systems to be used, with one of the watershed moments in music notation being the invention of the printing press in the 1400s, which meant music scores no longer had to be hand copied. In the 19th century, music technology led to the development of a more powerful, louder piano and led to the development of new valves brass instruments.